#finearts #artisticpractice #body

This workshop explores how bodies move through Berlin’s layered temporalities, playing the audio-visual archive back through collage and montage —traditionally gendered labor — to reconfigure our personal and political limits.

In today’s day and age, new financial and political paradigms are reshaping the conditions of artistic production. These conditions are beset by austerity measures and restrictions. These same restrictions can configure new impulses for artistic production.  Specifically in the city of Berlin, which has experienced different urban reconstructions, how does the body move through its urban landscape, the palimpsest of stories, in a way that pays homage to these divisions while moving porously through them? Can this alternative movement create ways of thinking and being otherwise, in and outside of time, challenging the rule of the norm, surveillance structures past and present?

In this workshop seminar, we will meditate on artistic strategies to pay homage to past and present forms of being and moving through the world. Such strategies will center forms of reuse of media (playing the archive back), to creating video essays where the intimate self serves as a vessel to distribute the commons from image-commons, to image-multitudes, to under-commons and fugitive resistance from below. How can tools such as stitching, collage, and montage, labor historically attributed to women, inform our artistic forms of production to push back and assert our personal and political limits? What happens when we create new boundaries and scores for movement from the perspectives of our own corpus? The seminar will include close-reading sessions, visits to archives and excursions. The participants will develop sketches for projects along with the instruct in their chosen medium while using digital tools of recording, video montage, and archival traces.

With Vanessa Gravenor (independent artist and researcher)

More information: https://summer-university.udk-berlin.de/?id=642