Schedule
SoundS Master Defense 2020 | schedule
The public exams will take place on 29/30 October 2020 at the Georg-Neumann Hall of the UdK Berlin.
ONLINE: We will be streaming the exam so you can attend right from your couch. Please make sure your microphones are turned off - sadly we can not accommodate questions from our online audience. https://udk-berlin.webex.com/meet/sounds
LIVE:
Georg-Neumann-Saal UdK Berlin
Einsteinufer 43 (Jazz-Building)
Berlin-Charlottenburg
If you would like to attend, please check back for updates about the current situation and don't forget to bring your mask!
Date/Time | Student | Advisor | Advisor | Topic | 2nd Topic (for the oral exam) |
| Thursday | |||||
29.10. / 12:00-13:00 | Daleman | Schröder | Koch | Machine Listening in Theory and Practice | Sonification |
29.10. / 13:15-14:15 | Goulakou | Kuhn | Schultz | Post-Digital Archive as Compositional Material:A Study on Medical Archives and Internal Body Sounds | Socio-political readings of sound in the pre-phonographic era;the work of Mark M. Smith on 19th century America |
29.10. / 14:45-15:45 | Kazhev | Kuhn | Poznańska | Language as a Sound Object | Soundwalk and Temporal Aspects of the Artist Practice |
29.10. / 16:00-17:00 | Carnio Teles de Menezes | Kuhn | Eriksen | Graphic Notation in multiple interpretations | Amazon´s male white bellbird call and it´s implicationswithin animal acoustic communication |
| Friday | |||||
30.10. / 12:00-13:00 | Guo | Zyla | Straebel | Jennifer Walshe´s 'Nature Data':Realization, Embodiment, and the New Discipline | Sound as Punchline |
30.10. / 13:15-14:15 | Rimsky-Korsakow | Sanio | Straebel | <im angstschrei> - klangliche Aspektein Hermann Nitschs orgien mysterien theater | Obsolete Media: zeitgenössiche Kompositionsstrategien |
30.10. / 14:45-15:45 | Vickunaite | Kuhn | Sanio | Slow tempo, solitude and boredom in art and performative thinkingand sound as an instrument for navigating attention in performance | Nonstandard sound design decisions in cinema |
30.10. / 16:00-17:00 | Mosso | Ishida | Kuhn | Compositional strategies with light and sound in installation art | Intrumentality as a condition for liveness in music performance |