Competition Call
Registration
1. Upload a video recording of the required repertoire for the preliminary selection to a video platform of your choice (YouTube or Vimeo). Please include details regarding the repertoire and duration of each piece in the video description. Music cuts, arrangements, or other technical manipulations of pitch or duration within completed movements are not permitted.
See below for the video repertoire
2. Complete the online registration form (see below), including the links to the video
3. In addition to the fully completed online registration form, the following documents must be sent digitally via email to feuermann@udk-berlin.de by April 30, 2027:
a) A copy of a valid ID card or passport
b) Confirmation/consent to participation from the teacher or an internationally recognized musician (signed and scanned)
c) Proof of payment for the registration fee (30 euros)
Only complete applications will be considered.
Changes to the repertoire are permitted until July 15 after admission to the competition.
Terms and Conditions of Participation
Age limit: 29 years old (date of birth after October 30, 1997)
Application deadline: April 30, 2027, 11:59 p.m. (CET)
First Round/Video Round
Music cuts, edits, or other technical manipulations of pitch or duration within completed movements in the video recording submitted for the application are not permitted. Cuts between individual movements and between works are permitted. The video must not be older than six months at the time of registration. Failure to comply with these requirements will result in disqualification from the competition.
Decision on the Video Round
The preliminary jury’s decision regarding admission to the competition will be communicated in writing by July 1, 2027, at the latest. The decisions are final. Subsequently, all admitted participants will receive a copy of the commissioned work by mail.
Order of Performance
The order of performance in the Second Round (live round) on September 27 and 28, 2027, will be determined by lottery. The competition organizers will decide the order of the participants in the final round.
With the exception of the commissioned work and the sonatas with piano, all works must be performed from memory, including in the video recording submitted with the application. The final round will take place with a conductor.
All rounds of the competition are open to the public. The competition organizers aim to livestream both the live round in Berlin and the finals.
The jury reserves the right to shorten the program during the competition round. All prize winners agree to be present at the awards ceremony and to accept their prize in person.
By registering for the competition, the participant accepts the terms and conditions of participation and the competition, as well as the jury’s decision, as binding. Legal recourse is excluded.
In cases of doubt, the German version of the terms and conditions of participation shall prevail.
Fees
Registration Fee
30 euros, to be paid by bank transfer before registration and no later than April 30, 2027
Participation Fee
50 euros, for participants invited to the competition; to be paid by bank transfer on July 1 following notification of admission
Bank Account Information
Berlin University of the Arts
IBAN: DE74 1009 0000 8841 0161 74
BIC: BEVODEBBXXX, Berliner Volksbank
Payment reference: Feuermann 2027 + Last Name + First Name
In cases of exceptional financial hardship, the registration and participation fees may be reduced; however, there is no entitlement to such a reduction. An informal request, including an explanation, must be submitted via email to feuermann@udk-berlin.de.
Refunds are not available.
Travel and Lodging Expenses
Affordable hotels are recommended to participants. For participants in the final concert, the competition organizer will pay a lump-sum amount to help cover lodging expenses. In cases of exceptional financial hardship, the competition committee may grant assistance with travel expenses; however, there is no entitlement to such assistance. An informal request, stating the reasons, should be submitted by email to feuermann@udk-berlin.de. The competition organizers will endeavor to arrange accommodations with host families upon request.
Samples
Recognized pianists will be available to competition participants as chamber music partners. Participants may bring their own accompanists at their own expense. For the final concert, each participant will have an approximately 45-minute orchestra rehearsal on September 29, as well as a dress rehearsal on the morning of the respective final concert. All orchestra rehearsals and concerts will take place with a conductor.
Schedule
| 26. September | 27. September | 28. September | 29. September | 30. September |
| Competition | 10 a.m.–3 p.m.: Registration | 10:00 a.m.–1:20 p.m. Contestants Nos. 1–3 | 10:00 a.m.–1:20 p.m.: Contestants Nos. 7–10 | 10 a.m.–12:30 p.m. and 2:00–4:30 p.m.: Orchestra rehearsals for the finale | 10:00 a.m. Dress rehearsal |
| Masterclasses with students from the UdK - no competitors |
|
|
| 11 a.m.–1 p.m. 3–5 p.m. | 11 a.m.–1 p.m. 3–5 p.m. |
| Concerts | 7:00 p.m. Opening Concert with the Jury Chair | 7:00 p.m. Recital 1 with 2 jury members |
| 7:00 p.m. Recital 2 with 2 jury members |
|
Repertoire
First round – Video Recording
Recordings must be uncut and may not be more than 6 months year old.
1. Johann Sebastian Bach: Präludium und Sarabande aus der Bach-Suite Nr. 4 oder Nr. 6
Johann Sebastian Bach: Suite für Violoncello solo N0 4, Prelude and Sarabande
Johann Sebastian Bach: Suite für Violoncello solo N0 6, Prelude and Sarabande
2. Richard Strauss: from Don Quixote Op 35, Finale (with piano)
3. Joseph Haydn: Cello Concerto No 2 D Major, 1st movement: Exposition, Development and Cadence from Emanuel Feuermann.
4. David Popper: Spinnlied op. 55 No 1
Second round, 27 and 28 September, maximal 12 contestants
60 minutes
1. Michael Cohen-Weissert: commissioned work tbc approx. 10 Minutes
This work has been specially composed for the competition. Applicants will receive the
sheet music two months before the start of the competition.
2. Ludwig van Beethoven:
a sonata for piano and violoncello (Op 5 No 1 or No 2 or Op 69 or Op 102 No 1 or No 2)
or
variations for piano and violoncello (Op 66 or WoO 45 or WoO 46)
(All movements are to be performed without repeats)
3. One or more works of the competitor’s choice. Individual movements also permitted. No works from the first round.
Third round maximal 3 finalists
The finalists are obliged to perform at first
Paul Hindemith: Sonata Op 25 No 3 for Cello solo
AND afterwards
Victor Herbert: Cello Concerto No. 2 e minor Op 30 or
Eugène d’Albert: Cello Concerto Op 20 or
Robert Volkmann: Cello Concerto a minor Op 33 Originalfassung. A piano reduction and the solo part can be purchased from Lucksmusic. A full score is available at the competition office.
Prize Money
Emanuel Feuermann Grand Prix: 10,000 euros
2nd Prize: 7,500 euros
3rd Prize: 5,000 euros
Special Prize for the Best Interpretation of the Commissioned Work: 2,500 euros
Music Prize for Young Talents: 2,500 euros
Audience Prize in the Finals: 2,500 euros
Media and Rights
The contestant agrees that the contest organizer is entitled to have all events held as part of the contest recorded and broadcast in whole or in part, e.g., as a livestream via the Internet. This also applies to audio, film, still image, and video recordings, as well as all other electronic and mechanical recording methods. The contestant shall have no claim to compensation arising from this. In particular, the organizer reserves the right to authorize radio and television stations to broadcast, record, and air all contest events.
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