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crescendo26: GegenTöne - Counter-Tones

Revolt and Reconciliation: Opening Concert 2026 – crescendo

Stefan Stahnke

Michael Sanderling, an outstanding conductor, cellist and renowned Shostakovich expert, will be conducting the evening's performance.

Johannes Brahms: Double Concerto in A minor, Op. 102
Dmitri Shostakovich: Symphony No. 12 in D minor, Op. 112

 

Donghwi Ko, violin / Uladzimir Sinkevich, cello / Symphony Orchestra of the Berlin University of the Arts
Michael Sanderling, conductor

 

During his lifetime, Dmitri Shostakovich was torn between two conflicting forces: only those who supported the regime could feel safe, and taking an overtly political stance against the Soviet Union was risky, not only professionally. The regime liked to present his works as proud nationalistic battle cries, but in their reception, the often caricatural features are emphasised and evaluated as Shostakovich's form of resistance, his counter-voices against the populist appropriation of his music and the Stalinist cultural doctrine. In the 12th Symphony, which bears the regime-friendly subtitle ‘The Year 1917’, referring to the October Revolution led by Lenin, military-like percussion passages are used in places, which seem almost striking and thus broaden the horizon of interpretation.

Brahms' Double Concerto for Violin and Violoncello, meanwhile, sounds like a counterpart to Shostakovich's symphony. At its heart are the two solo instruments, which engage in dialogue and produce catchy, lyrical and highly emotional passages. Incidentally, this concerto was a successful gift of reconciliation between the estranged friends Brahms and Joachim: Joseph Joachim played the violin solo part at the premiere in 1887 under the baton of Johannes Brahms. With Donghwi Ko (violin) and Uladzimir Sinkevich (cello), we present two award-winning soloists this evening; Ko has attracted attention in recent years at the Mozart Competition and the Sendai International Music Competition, while Sinkevich has been a permanent member of the Berlin Philharmonic Orchestra since 2022 – perhaps the spark of what is perhaps the world's best orchestra will also rub off on our symphony orchestra?

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The Berlin Senate has imposed enormous savings targets on public universities. You know that: An excellent musical education consists not only of the many hours of solitary practising and lessons by professors, but also, to a large extent, of performing in front of an audience. This inherent part of the training is also the opportunity for you to attend almost always free concerts at a high level. We don't want to have to cut back on this. By attending our events, you can also show those responsible in politics that music and art are meaningful for every society. And if you can: support us with small or large donations. The donations are used for teaching, tuning, transport, advertising material, for our music festival crescendo - wherever no funds can be spent at the moment. This directly benefits our students and also you as the audience, as this is the only way we can maintain events of this calibre and variety.

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Info

crescendo – Künstlerisches Betriebsbüro der Fakultät Musik
crescendo_ @udk-berlin.de