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Rituals are transformative: they change us and the world around us, whether through incantation or ceremony, private practice or public protest. Academic theories of ritual hold that rituals are embedded in cultural worlds, and that all cultures have rituals of world-building. With the phrase “crip ritual,” this exhibition puts these theories in conversation with disability culture, as understood by disability justice movements and disability studies. Artworks in the exhibition use ritual to foreground understandings of disabled, crip, d/Deaf, Mad, and Sick people’s experiences. #CripRitual highlights strategies for building crip power: the ceremonies, habits, celebrations, design practices, social scripts, and community agreements, grounded in disabled knowledge and experience, that undergird disability culture

In this exhibition, artworks depict or create rituals that refer to shared experiences of disability culture. In bringing together this exhibition we seek to make apparent the shared cultural meanings circulating in crip communities. The exhibition recognizes crip rituals as processes and events geared toward building power, strategies for surviving ableism that may be secular, spiritual, or in-between.

#CripRitual is presented by The Critical Design Lab, in collaboration with Tangled Art+Disability and the Doris McCarthy Gallery.

When? Where?
21 January - 1 April 2022
Tangled Art Gallery & Doris McCarthy Gallery
Toronto, Canada 

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