An encounter between the incalculable steadiness of daylight and photoresistors produce a rhythm that animates a stained glass window. The window echoes those found in Christian churches and cathedrals, where theological myths once supplied the moral scaffolding through which the West shaped its core assumptions about reality, knowledge, time and society. As data-points within discrete systems have replaced God as the extrahuman authority, a necessary friction emerges between an eschatological rationality and the irreducibility of phenomenological duration. This is a recalcitrant rhythm persisting stubbornly against redefinition and computation. 

Location: 2. Floor - West Window, Collegium Hungaricum