Im Rahmen der Ausstellung “Republic of the Moon” stellt Agnes Meyer-Brandis ihre Arbeit “THE MOON GOOSE ANALOGUE. Lunar Migration Bird Facility” aus.

Die am 15. Dezember beginnende Ausstellung wird bis zum 16. Februar 2012 bei FACT in Liverpool zu sehen sein. Den ganzen März über wird “THE MOON GOOSE ANALOGUE” dann in einer Einzelpräsentation beim AV Festival in Newcastle upon Tyne gezeigt.
http://www.artscatalyst.org/projects/detail/moon_goose_analogue_agnes_meyer_brandis/

16. Dezember 2011 bis 26. Februar 2012
FACT, 88 Wood Street, LIVERPOOL L1 4DQ, UK
1. bis 31. März 2012
AV Festival, Newcastle upon Tyne

Meyer-Brandis’s poetic-scientific investigations weave fact, imagination, storytelling and myth, past, present and future. In The Moon Goose Analogue: Lunar Migration Bird Facility Liverpool, a major new work commissioned for Republic of the Moon, the artist develops an ongoing narrative based on the book The Man in the Moone, written by the English bishop Francis Godwin in 1638, in which the protagonist flies to the Moon in a chariot towed by ‘moon geese’. Meyer-Brandis has actualised this concept by raising eleven moon geese from birth in Italy, giving them astronauts’ names*, imprinting them on herself as goose-mother, training them to fly and taking them on expeditions and housing them in a remote Moon analogue habitat.

The remote analogue habitat simulates the conditions of the Moon and will be accessed and operated from Meyer-Brandis’s control room installation within the gallery, where instructional videos, photographs and vitrines of the geese’s egg shells and footprints will be displayed.

Meyer-Brandis develops the contested history of Godwin’s original fiction – posthumously and pseudonymously published as if the genuine account of the travels of Domingo Gonsales. She weaves a narrative that explores the observer’s understanding of the fictitious and the factual, with a nod to notions of the believably absurd.

Academic, William Poole [1], in his Preface to the 2009 edition of The Man in the Moone [2] explains the importance of Godwin’s work, “First, it is a work of literary sophistication. It is narrated by a slightly implausible figure who does a number of very implausible things, not least fly to the moon and back.…its supposed time-frame further heightens readerly problems about who and what to trust in this text, and why… its finely integrated discussion of various state-of-the-art ideas about astronomy and cosmology – magnetic attraction, diurnal rotation, and the possibility of interplanetary travel and extraterrestrial life. The dramatisation of these discussions in The Man in the Moone is at once a form of popular science and also a form of popular fiction. This is the age-old problem of fiction – the probable impossible intermingled with the possible improbable…

[1] William Poole is John Galsworthy Fellow, New College, Oxford, and author of The World Makers: Scientists of the Restoration and the Search for the Origins of the Earth (2010).
[2] The Man in the Moone (1638) (Broadview Editions) by Francis Godwin and William Poole (Paperback – 1 Nov 2009), preface